Whistler Gallery

Movement 1

Tony Roberts

Framed: Yes

Size: 625x450mm

Medium: coloured pencils, 110gsm cartridge paper

Price: £100

 

Tony Roberts

The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.  

Movement 2

Tony Roberts

Framed: Yes

Size: 530x730mm

Medium: acrylics on card

Price: £100

 

Tony Roberts

The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.  

Dancing on Clouds

Tony Roberts

Framed: n/a

Size: 610x910mm

Medium: acrylics on silk canvas

Price: £270

 

Tony Roberts

The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.  

 

And…stop

Phillip Jowett

Framed: No

Size: 590x420mm

Medium: oil pastels, 110gsm cartridge paper

Price: £50

 

Phillip Jowett

I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.

Anticipation

Phillip Jowett

Framed: No

Size: 590x420mm

Medium: coloured pencils, 110gsm cartridge paper

Not for sale

 

Phillip Jowett

I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.

Reclining Dancer

Phillip Jowett

Framed: No

Size: 300x210mm

Medium: pen & ink, 110gsm cartridge paper

Not for sale

 

Phillip Jowett

I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.

Four in Time

Phillip Jowett

Framed: No

Size: 300x210mm

Medium: pen & ink, 300gsm textured paper

Not for sale

 

Phillip Jowett

I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.

Heads Down

Phillip Jowett

Framed: No

Size: 300x210mm

Medium: pen & ink, 110gsm cartridge paper

Price: £20

 

Phillip Jowett

I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.

Tracing Time

Nick Carter

Framed: n/a

Size: 560x455mm

Medium: acrylics on canvas

Price: £245

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Rotating in Time

Nick Carter

Framed: n/a

Size: 560x455mm

Medium: acrylics on canvas

Price: £245

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Mary dancing East

Nick Carter

Framed: Yes

Size: 310x410mm

Medium: pen & ink, 300gsm textured paper

Price: £95

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Being in Charge

Nick Carter

Framed: Yes

Size: 525x425mm

Medium: pencil, 110gsm cartridge paper

Price: £145

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Rotating in Time 2

Nick Carter

Framed: n/a

Size: 610x1830mm

Medium: acrylics on canvas

Price: £750

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Working through Time

Nick Carter

Framed: n/a

Size: 610x1830mm

Medium: acrylics on canvas

Price: £1250

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Mary Hovering in Space

Nick Carter

Framed: n/a

Size: 1520x1520mm

Medium: acrylics on canvas

Price: £75

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

And, hold

Nick Carter

Framed: yes

Size: 225x325mm

Medium: pencil, 110gsm cartridge paper

Price: £75

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Moving in Time

Nick Carter

Framed: yes

Size: 225x325mm

Medium: pencil, 110gsm cartridge paper

Price: £75

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Dancing East

Nick Carter

Framed: yes

Size: 350x430mm

Medium: pencil, 300gsm textured paper

Price: £145

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Staggered Movement

Nick Carter

Framed: yes

Size: 350x430mm

Medium: pencil, 300gsm textured paper

Price: £145

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

Dance Rotating

Nick Carter

Framed: n/a

Size: 450x900mm

Medium: acrylics on canvas

Price: £245

 

Nick Carter

I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.

dance study 1

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 2

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 3

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 4

Tessa Mussett

Framed: n/a

Size: 295x410mm

Medium: pencil, 300gsm textured paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

Three Dancers

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: coloured chalks, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 5

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 90gsm fine grain paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 6

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

dance study 7

Tessa Mussett

Framed: n/a

Size: 590x410mm

Medium: pencil, 110gsm cartridge paper

Not for sale

 

Tessa Mussett

I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour!  We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching

Welcome to our online Whistler Gallery.

Take a virtual wander and view what would be presented in our popular gallery, which will be available to hire again once the Jerwood DanceHouse re-opens.

PENINSULA ART GROUP

The Peninsula Art Group visited the Jerwood DanceHouse while our performance company, Dance Unlimited, rehearsed. Upon witnessing the dancers move within the space, the local art group responded by creating artwork, which is available for sale – click on each piece to find out more.

“Working in the DanceEast Studio with the dancers evoked a whole raft of emotions. The energy of movement at one point brought tears to my eyes as I was enveloped within the whole essence of dance. Mary imparted an amazing energy to the dancers which was absorbed by the artists. Unlimited it was. The whole studio changed; from moving weightlessness with their feet appearing to be lifted off the ground, moving from an enclosed pod through the transition into outside light, transcending space and time. This was the starting point for our artists group who interpreted the encompassed experience on the paper. We captured the dancers; travelling across the floor, group rotational movement, the essence and mood embodying the dancing group. We were not just observers; we became a part of Mary’s dance group which was a great privilege.” – Nick Carter

Contact information:
Nick Carter
Peninsula Art Group
Crouch House Studio
Grove Lane
Chelmondiston
Suffolk IP9 1HD
nick@edgteam.co.uk
01473 780 808 | 07710 245 925

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